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Presonus StudioLive 16.0.2 USB

Features

8 mono mic/line channel inputs, each with:

  • High-headroom Class A XMAX mic preamplifier
  • XLR mic and balanced ¼-inch line inputs
  • 60 mm precision fader

4 stereo line channel inputs, with:

  • High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
  • XLR mic inputs (Ch. 9, 11, 13, and 15)
  • Balanced ¼-inch line inputs (Ch. 9-16)
  • Unbalanced RCA line inputs (Ch. 13-16)
  • 60 mm precision fader (4 stereo)
  • 4 Auxiliary buses (pre/post-fader send)

2 Internal FX buses

2 stereo 32-bit digital effects processors with customizable reverb and delay presets

Fat Channel signal processing on all channels and buses, with:

  • 3-band semi-parametric EQ (individual band on/off)
  • Full-featured compressor
  • Standard downward expander
  • Limiter
  • Phase reverse (12 mic preamplifiers only)
  • Pan with dedicated 15-LED display
  • Stereo link for input channels and aux buses
  • Highpass filter

One 31-band stereo graphic EQ (on main outputs only)

18-in/16-out USB recording interface (24-bit/44.1 kHz and 48 kHz)

  • Compatible with most audio software via ASIO, Windows Audio, Core Audio

Scene store and recall

Settings can be copied among channels and buses and saved as user presets.

Software bundle includes:

  • PreSonus® Studio One® Artist digital audio workstation for macOS® and Windows ®
  • PreSonus Capture® live-recording software for macOS and Windows
  • PreSonus UC Surface mixer-control software for macOS, Windows, Android™, and iPadOS®
  • Free downloadable PreSonus QMix®-UC software for iPhone®/iPod touch® and Android provides wireless remote control of aux mixes
  • Ableton® Live Lite

Lockout mode protects your settings from meddlers and accidents

MIDI Control Mode provides control over:

  • Scene and FX Preset recall
  • Main Volume, FXA, and FXB output levels
  • FXA and FXB assign/unassign to Mains
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Technical Specifications

Microphone Preamp
Type XLR Female, Balanced
Frequency Response to Direct Output (at unity gain) 20 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ±0.5 dBu
Input Impedance (Balanced) 1 kΩ
THD to Direct Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -102 dB
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -95 dB
Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB
Gain Control Range (± 1 dB) -16 dB to +67 dB
Maximum Input Level (unity gain) +16 dBu
Phantom Power (± 2 VDC) +48 VDC

Line Inputs, Balanced
Type ¼” TRS Female, balanced mono
Frequency Response to Direct Outputs (at unity gain) 10 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0/-0.5 dBu
Input Impedance 10 kΩ
THD to Direct Output (1 kHz at unity gain) <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB
S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -95 dB
Gain Control Range (± 1 dB) -20 dB to +20 dB
Maximum Input level (unity gain) +22 dBu

Line Inputs, Unbalanced
Type RCA Female, unbalanced (stereo pair)
Maximum Input Level +22 dBu

Main Outputs
Type XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)
Rated Output Level +24 dBu
Output Impedance 100Ω

Aux Outputs
Type ¼” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω

Monitor Outputs
Type ¼” TRS Female, balanced (stereo pair)
Rated Output Level z +18 dBu
Output Impedance 100Ω

System Crosstalk
Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu

Noise Gate (Expander)
Threshold Range -84 dB to 0 dB
Attack Time Adaptive (0.2 – 2.5 ms)
Release Time 70 ms
Expander Attenuation Range 2:1

Compressor
Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Response Time (Attack/Release 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”)
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee

EQ
Type 2nd-order shelving filter (Q = 0.55)
Low (Low-pass or Bandpass) 36 to 465 Hz, ±15 dB
Mid 260 Hz to 3.5 kHz, ±15 dB
High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB

Digital Audio
Host Interface USB 2.0
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48 kHz
A/D/A Bit Depth 24 bits
Reference Level for 0 dBFS +18 dBu

Clock
Jitter <20 ps rms (20 Hz – 20 kHz)
Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)

Power
Connector IEC
Input-Voltage Range 100 to 240 VAC (factory-configured for country of destination)
Power Requirements (continuous) 100W

Physical
Length 15.56 inches (397 mm)
Width 16 inches (406 mm)
Maximum Height 5.5 inches (140 mm)
Weight 20 lbs.

Small size. Bigger possibilities.

In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.

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